It's the idiot media's gay obsession with shitty Broadway shows and ugly, campy women.
Bette Midler's been ok once in a while (her fake Joplin movie "The Rose") but so often she plays to the queers. She shakes her bazongas in a parody of womanhood, grins that ugly grin, gets in everyone's face with those squinchy eyes and the enormous nose, and the warped fag world WHOOOPS.
Since the gay clique does tend to dominate the media, they've doing their damndest (whoops dear, their DARNDEST or their FIERCEST) to make a fucking useless revival of "Hello DOlly" into a hit.
Like...
What the FUCK are the "Page Six" gossip fags up to now? An "EXCLUSIVE" about what, exactly?
They put this on the front fucking page of the NY POST:
A fag fainted during the show and REFUSED to be taken out by ambulance because he wanted to see the rest of the show.
You can imagine that scene: "I'd rather DIE that miss the end of a Bette Midler Broadway Show, everyone!"
And ambulance workers had to restrain themselves from beating the shit out of this faggot.
Next up? An alleged incident where two old biddies were hit by a car while crossing the street.
Not hard enough to even put a black and blue mark into these blue-haired dry-crotch loonies?
They picked themselves up and pranced off to see BETTE MIDLER in "Hello Dolly."
And that's the hype. TWO stupid incidents are transformed into not just a gossip page story, but a FRONT PAGE EXCLUSIVE. "Hello Dolly" is a hot ticket. YOU CAN'T MISS IT...
If you're a screaming queer or an old Jewish bitch.
That's about it. But in NYC that would be enough.
Any straight Bette Midler fans? Yes, over 50, with white-pubed vaginas.
It's very nice that NYC has a million queers, and another million aging Jewish bitches, but the rest of us do NOT need to know about it. This should be more than enough for Midler's stinky show to run till she's hobbling around kvetching with arthritis.
No need to try and get NORMAL people go go see this piece of shit.
"Hello Dolly" (which of course, I have NOT SEEN) always relied on faggots and tone-deaf cunts to succeed. The first incarnation was with Carol Channing, one of the world's only drag queens born with a pussy.
The movie version? Bawwwwwbwaaa Stweeeeisand. That guaranteed every Jewish bitch in America would buy a ticket and SHLEP some poor guy along.
The interest in this obnoxious show was also hyped by that infamous Uncle Tom named Louis Armstrong rasping the impossibly annoying theme song on Top 20 radio. "Hello, DOLLY, this is LOUISSSSSS DOLLY! It's so NICE to have you BACK where you BEEEEE-LAWWWWWNG...."
Was there ever a more poisonous or obvious example of Broadway at its worst?
And now the nightmare returns, with simpering, draggy Bette Midler poncing around on stage while hundreds upon hundreds of fags and old Jewish women SQUEEEEEEEEEEEAAL at everything she does.
So pathetic that Broadway has nothing better to offer, but that's the rut. It's revivals of old shows (they're bringing back "Cats" and "Miss Saigon") and DISNEY shit.
Now and then there's a "straight play" featuring some bad actor or actress who wants a Broadway credit...and struggles to get through a limited engagement without having a nervous breakdown.
Jesus, the best thing on Broadway and Times Square might well be "Ripley's Believe it Or not."
Believe it or not.
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