On Friday night, Christian Lacroix offered his homage to Elsa Schiaparelli, but even high fashion couldn’t lift Paris from its low mood. “Liberté, égalité, morosité,” Le Monde declared.
Joie de vivre has given way to gaze de navel. The French are so busy wallowing in their existential estrangement — a state of mind Camus described as “Should I kill myself, or have a cup of coffee?” — that they don’t even have the energy to be rude. And now that they’re smoking electronic cigarettes, their ennui doesn’t look as cool. It’s not that they’ve lost faith in their own superiority. They’ve lost faith that the rest of the world sees it. The whole country has, as Catherine Deneuve says of her crazy blue moods, une araignée au plafond — a spider on the ceiling.
On Place Vendome, Christian Lacroix was dispatching models in black crepe chiffon peplum basques — whatever they are — while on Avenue Hoche, Lacroix’s dentist was bemoaning the black crepe City of Lights. Holding a cigarette in a waiting room filled with Picasso-print pillows, Dr. Gérard Armandou told how his patients, always prone to pessimism, are even more filled with malheur now as they sit in his chair contemplating tous les problèmes, including “not going anymore on holiday to Egypt.”
“Cocteau said the French are Italians in a bad mood, but now there is more morosity,” he said. “We are connecting with nostalgia. What is nostalgia? Where the present doesn’t agree with the hope that you got in the past.”
The French have higher rates of taking antidepressants and committing suicide than most other Europeans. And while arguing about how to move forward, they feel trapped in the past, weighed down by high unemployment and low hopes, the onerous taxes that drove Gérard Depardieu to flee, conflicts with immigrants, political scandals, Hollande fatigue, Germany envy, economic stagnation, a hyperelitist education system, and cold, rainy weather that ruined the famous Paris spring. Instead of confronting the questions at hand — how to adjust to globalization and compete with the Chinese — the French are grieving their lost stature and glorious past, stretching back to the colonial empire, the Lumières, the revolution, Napoleon, even the Jazz Age writers and artists. They’re stuck in a sentimental time warp as vivid as the one depicted in Woody Allen’s “Midnight in Paris.”
A 2011 BVA-Gallup poll conducted in 51 countries revealed that the French were even more pessimistic than Afghans and Iraqis. As the sociologist François Dubet told Le Monde, “If France doesn’t get all the Olympic medals and all the Nobel Prizes, the French consider it hopeless.”
Manière complains about how “disgusting” the Disneyfied Champs-Élysées has become, with hordes of teenage tourists snapping pictures of themselves in front of Ladurée, the macaroon shop, and pictures of the French without even a “s’il vous plait.” “The intersection of globalization and the French spirit is especially painful,” he said. “We have this feeling that everything we were used to is disappearing and what we are offered is not as good.” The French gave up the franc but don’t want to give up anything else to mesh into a bland global society.
“The French are very conceptual, very cerebral,” Manière said. “We need to have more than food and TV. In America, it is not treason of an ideal if you want to watch TV all day, whereas in France it is...”
Thanks, Ms. Dowd. One can certainly see other ways in which the French are more depressed than the Americans. For example, Mylene Farmer vs Madonna. Each remain each country's white idol for outrage and dance music, but only Mylene douses her videos in gloom, blood, shades of blue and images of angst. Only Mylene continues to offer lyrics that promote thought more than bodily fluid. On the positive side, vive a country where there is at least one older actress who speaks out and is heard on important issues. In other words, there is no American version of Brigitte Bardot!
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